使用电声吉他的乐手们,比起那些演奏传统吉他的同行们来,拥有两大优势。一是音量。在这一点上不亚于交响乐队中的管乐组和打击乐器。二是音调。电声吉他善模拟自然声响,乐手们随心所欲——从一只暴怒的犀牛的吼叫到小孩的哭嘤。然而其后几年。电子合成器以其巨大的表现力使电吉他大为逊色。失落的电吉他手们热切希望有朝一日出现一个发明家,推出一种融合这两种乐器特长的新“家伙”,以压倒合成器。这种天才构想终于在三位前英国广播公司的雇员身上实现了。经过10年的钻研,他们于1987年底制造出第一件电声吉他与电子合成器的混合体——“合成斧”。新乐器的名称取“合成器”与“斧子”的合意。在摇滚乐手们的行话中,常用“斧子”这个与音乐相去甚远的用具形象地 Musicians who use electro-acoustic guitars have two major advantages over their counterparts who play traditional guitars. First, the volume. At this point no less than the symphonic band and percussion instruments. Second, the tone. The electro-acoustic guitar is good at simulating the natural sound, and the musicians are at your fingertips - from the roaring of a furious rhinoceros to the crying of a child. However, a few years later. Electronic synthesizer with its great expression of electric guitar greatly inferior. Lost electric guitarists are eager to see an inventor emerge someday, introducing a new “guy” that combines the strengths of both instruments to overwhelm the synthesizer. This genius idea was finally realized by three former BBC employees. After 10 years of research, they made the first hybrid of electro-acoustic guitar and electronic synthesizer - Synthetic Ax at the end of 1987. The name of the new instrument to “synthesizer” and “ax” the desired. In the jargon of rock musicians, the commonly used “ax” is an image that is far from music