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自从网络传媒问世以来,全球共经历了三波浪潮,每次浪潮都可能存在对它持不同态度、着眼于不同侧面、反映出不同立场的文学批评。这种现象使得网络传媒与电子文学批评的关系变得纷繁复杂,但各个时期的电子文学批评仍然有其可辨认的特点:第一波电子文学批评主要关注并推动电脑技术在文学领域的应用,热衷此道的批评家数量不多,但其中不乏编程高手,他们往往同时就是电子文学的创作者。第二波电子文学批评主要关注通过新的传播手段建构数据自我,展示自己的个人魅力与见解,在线文学社区成为他们与创作者交流的公共空间。第三波电子文学批评更多关注在线文学社区的相互协作、基于不同媒体的文学的相互转变与流动,具备更恢弘的眼光。
Since the advent of cyber media, the world has experienced three waves. Each tide may have its own different attitude, focusing on different aspects and reflecting different positions of literary criticism. This phenomenon makes the relationship between online media and electronic literary criticism complicated, but the e-literary criticism in each period still has its distinguishing characteristics: the first wave of electronic literary criticism mainly focuses on and promotes the application of computer technology in the field of literature, A small number of critics are passionate about this topic, but many of them are programming masters, who are often the creators of electronic literature at the same time. The second wave of electronic literary criticism focuses on building the data self through new means of communication, presenting one’s own personal charisma and insights, and the online literary community as the public space for their interaction with creators. The third wave of electronic literary criticism pays more attention to the online literature community’s mutual cooperation and has a more grand vision based on the mutual transformation and flow of different media literatures.