自20世纪80年代中后期开始,“边缘化”便成为一个关乎诗歌的毋庸置疑的定论。但90年代末新世纪初,随着网络、手机、户外媒体等新媒体全面介入人们生活,中国新诗的发展格局、生态都随之发生巨大变化,诚如吴思敬指出的:“诗歌传播新媒体的出现,是诗歌传播史上的一次深刻变革,它在改变着当代诗歌的形态。”~1于是,一种“全民化”的论调开始萦绕中国新诗,2006年有人宣告中国进入一个“全民写诗大 Since the late 1980s, ”marginalization“ has become an unquestioned conclusion about poetry. However, as new media such as the Internet, mobile phones and outdoor media fully intervened in people’s lives in the late 1990s and the new century, the development pattern and ecology of Chinese new poetry have undergone tremendous changes. As Wu Sijing pointed out: ”New poetry dissemination The emergence of the media is a profound change in the history of the spread of poetry, which is changing the shape of contemporary poetry. “Thus, a theory of” universalization “began to haunt the new Chinese poetry. In 2006, some people declared that China had entered a ”National write poetry