一个时期以来,种种“抗日神剧”的荒诞不经,“丰富多彩”地充斥了银屏。总的说来可以归结为:敌人呆傻化,我军神仙化,剧情荒诞化,历史虚无化。表面热闹实则荒诞不经的剧情,在惹得观众哈哈一笑的同时,消费、销蚀的则是我们自己的道德良知,也从一个侧面反映出,从编剧、导演到全体演职人员,将历史文化的担当付诸阙如。一是对待历史缺乏起码的诚实。影视作品虽是文艺作品,但不能脱离基本的历史真实,特别是对于抗战这 A period of time, all kinds of “anti-Japanese drama” absurd, “colorful ” flooded the screen. Generally speaking, it can be summed up as follows: the enemy is foolish, my army is immortalized, the story absurdized, and history is nothing. Lively but in fact absurd plots, provoking the audience haha ​​laugh at the same time, consumption, sales erosion is our own moral conscience, but also reflects from one side, from screenwriter, director to all the cast members, the history and culture The role of the lack of. First, the lack of treatment of the history of the least honest. Although the film and television works of literature and art, but can not be divorced from the basic historical truth, especially for this war