一九六五年,中国书法界发生过一场很有影响的“兰亭论辨”。一九五七年“反右运动”后,学术界一切政治挂帅,此时毛泽东一言:“笔墨官司,有比无好”,使这场论辨传达出这样一个信息:这是学术争鸣,可以讨论,哪怕没有什么结果,活跃活跃气氛,也是“有比无好”。所以,从那时到现在,一直都有人认为它是一次难得的“百家争鸣”。在《高二适研究·序一》(《东南文化增刊》,1997年)中,中国艺术研究院研究员冯其庸就说:“现在回顾起来,使人感到我们的学术界,就是权威如郭沫若先生那样的人说了偏颇的意见,也仍有人起来反驳的,反驳的文章也仍可以得到堂皇的发表的,这是一个多么光明磊落的时代啊!” In 1965, there was a very influential “Lanting Discrimination” in Chinese calligraphy circles. After the “Anti-Rightist Campaign” of 1957, all politics in the academic field came to an end. At this time, Mao Zedong said in a word: “There is no better lawsuit in the brush and ink,” so that this argument conveys the message that this is an academic debate, Can be discussed, even if there is no result, an active and active atmosphere, but also “no better than nothing.” Therefore, from that time till now, people always think that it is a rare “one hundred schools of thought.” In “A Study on Senior Secondary School Preface No. 1” (“Southeast Culture Supplement”, 1997), Feng Qi-yong, a researcher at the China Academy of Art, said: "Now, in retrospect, people feel that our academic community is like the authority of Mr. Guo Moruo People say biased opinions, but still some people refuted, and refuted articles can still be published grandly, which is how a fair time ah!