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《蝶恋花·春景》是北宋豪放派词人苏轼鲜有的一首兼有清旷与婉约之风的作品,具有很高的文学价值。本文运用认知诗学的图形—背景理论,对《蝶恋花·春景》的创作过程及解读过程进行分析,结果发现这首词的图形和背景是一个不断形成和变化的动态过程,具体表现为图形由具体到抽象、由远及近的变化过程。图形背景的交替凸显,揭示了人生虽有坎坷与磨难,仍应保持乐观向上和旷达心态这一鲜明的主题。
“Butterfly Love Flower · Spring King” is a rare Northern Song Dynasty gentry writer Su Shi both Qing Qing and graceful wind works, has a high literary value. This paper uses the theory of graph-background of cognitive poetics to analyze the process of creation and interpretation of “Butterfly Love Flower · Spring Landscape”. The result shows that the graphic and background of this poem is a dynamic process of continuous formation and change, and the concrete manifestation For the graphic from the specific to the abstract, by far and near the process of change. The alternation of the graphic background reveals the distinct theme of optimism and unrestrained mentality despite the ups and downs and hardships in life.