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音乐作品通过具有感知能力的欣赏者的知觉感知成为审美对象。在音乐欣赏过程中 ,能够领悟作者意图的创造性的欣赏 ,使音乐作品进入听众意识之中 ,重建活动就显得有意义。音乐作品有它的自在性 ,知觉主体在感受音乐作品时要积极介入 ,但不能随意。在音乐欣赏的活动中 ,知觉主体总是带着某种审美标准去评判审美对象 ,对于不符合自已的审美标准的音乐作品 ,可能会作出与音乐作品原意相左的理解。在不同时期的音乐审美过程中 ,音乐审美的偏离也时有存在。另外 ,审美心理定势对音乐欣赏活动也起着一定的作用。
Music works become aesthetic objects through the perceptual perception of appreciative performers. In the process of music appreciation, it is meaningful to be able to comprehend the creative appreciation of the author’s intention, make the music work into the audience consciousness, and rebuild the activity. Music works have its own freedom. The main body of perception should actively intervene when it comes to feeling the musical works, but it should not be arbitrary. In the activity of music appreciation, the subject of perception always judges the aesthetic objects with some aesthetic standards, and may make the opposite meaning with the music works for the music works that do not conform to their own aesthetic standards. In different stages of the music aesthetic process, the deviation of musical aesthetic sometimes exists. In addition, aesthetic psychology will also play a role in music appreciation activities.