创作《之伢子——(毛泽东)三部戏剧之一》过程中,我的思考在于:只有真实再现少年和晚年毛泽东,才能显示他的伟大。希望这部戏剧溶进我对人生的认识,而成为一部“莎士比亚化”的作品。努力再现少年毛泽东的性格魅力对毛泽东少年生活的描写,实质上是写一个成功毛泽东的史前史。做为一个生命个体,少年性格的基本素质应与后来的历史有明确的承续性。也就是说,少年时期的个性应蕴含了未来成功的趋势,但又必须是仅仅属于“少年的”。这就要求在创作中,必须注意防止两种偏差,即:“神童化”与“非英雄化”的偏差。 In the process of creating one of the “Princes of the Three Dynasties (Mao Tse-tung)”, my thinking is that only his true reproduction of his youth and his old age can Mao Zedong show his greatness. I hope this drama dissolves into my understanding of life, and become a “Shakespeare” works. Efforts to reproduce Juvenile Mao Zedong’s character and charm of Mao Zedong’s juvenile life description, in essence, is to write a successful prehistory of Mao Zedong. As an individual in life, the basic qualities of a teenager’s character should be clearly followed from the later history. In other words, the personality of a teenager should contain the trend of success in the future, but it must be only “juvenile.” This requires that in the creation, we must pay attention to prevent two deviations, namely: “prodigy” and “non-heroic” deviations.