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新时期以来的20多年中,中国儿童电影创作有了很大的发展。本文尝试聚焦于王君正、徐耿、石建都、戚健、郦虹五位儿童电影新老导演,以此勾描出新时期以来我国儿童电影创作的状况。王君正:执着童真的建构王君正导演的三部儿童电影《苗苗》(1980)、《应声阿哥》(1982)和《天堂回信》(1993),在新时期儿童电影创作中占有各自的位置,并且带有风格形成过程中渐变的印记。其中也存在着某种主题和风格上独特的连续性,似乎不是独立的三部影片,而是超越时空的距离,遥相呼应。然而,对于王君正而言,她最感兴趣、最关注的那一点,或者说是能够传达个性的细微特点和印记的语言,在其创作初期就已经体现出来了。
In the more than 20 years since the new period, Chinese children’s filmmaking has made great strides. This article attempts to focus on the new directors of Wang Junzheng, Xu Geng, Shi Jian Du, Qi Jian, and Chi Hong, respectively, to illustrate the situation of Chinese children’s film creation since the new era. Wang Junzheng: The three children’s films “Miao Miao” (1980), “Ying Ying Elder Brother” (1982) and “Heaven’s Reply Letter” (1993), which are directed by Wang Junzheng, are dedicated to children’s innocence and occupy their respective positions in the creation of children’s films in the new era. And with the style of gradual formation of the mark. There is also a certain continuity of theme and style, which seems not to be an independent film but transcends time and distance. However, for Wang Junzheng, her most interest, the most concerned point, or the language that can convey the subtle characteristics of the individuality and imprinting, has already been reflected in the initial stage of her creation.