关于戏曲的继承和创新问题,已引起很多专家的研究,争论和探索。其中有“创新、改革是戏曲的唯一出路”;“目前戏曲的问题在于保留而不在于创新”等等。并对一些完全没有了传统戏曲特点的“现代戏曲”和一些完全保留戏曲旧模式,缺乏现代气息的传统戏曲提出异议。这里,除了对旧的传统戏曲如何保留和如何创新的具体做法的分岐之外,还有一个传统戏曲与“现代戏曲” On the inheritance and innovation of opera, it has aroused many experts to study, debate and explore. Among them, “innovation, reform is the only way out for drama”; “the problem with the current drama is reservation rather than innovation” and so on. And raised objections to “modern drama” that completely lacks the characteristics of traditional opera and some traditional dramas that completely retain the old model of opera and lack the modern flavor. Here, in addition to the traditional way of how to retain and how to innovate the differences between the traditional practice, there is a traditional opera and “modern drama”