清代文集《百美新咏》于1824年被译介到欧洲后引发了出人意料的反响。本文以1827年歌德从英文转译的两首中国诗为重点,对中英德三种文本进行对比研究。文中特别指出,中国古代“才女”作品的译介在19世纪对欧洲文学界正确评价女性诗人和女性文学曾产生积极影响。同时,本文就中国古典文学作品对歌德“世界文学”概念的影响作出了新的解释。 The Qing Collection, “Bai Mei Xin Yong”, was introduced to Europe in 1824 and triggered an unexpected response. This article focuses on the two Chinese poems transliterated by Goethe from English in 1827, and compares the three texts of China, Britain, Germany and China. In particular, the article pointed out that in the 19th century, the translation and introduction of the works of ancient Chinese “Talented Women” had had a positive impact on the correct evaluation of female poets and women’s literature in European literary circles. At the same time, this article gives a new explanation of the influence of classical Chinese literature on the concept of Goethe “World Literature”.