叶嘉莹教授在解读周邦彦的《渡江云·晴岚低楚甸》时指出,这首词蕴含着作者关于宦海浮沉的感叹,对此,我深表赞同。本文拟在叶教授研究的基础上,运用新批评的分析方法,通过文本细读,进一步探讨作者是如何将思想感情转化为艺术形象的。如果说叶教授偏重于解答“写什么”的问题,那么,我就偏重于阐释“怎么写”的问题。而且,在这个过程中,将得出一些与以往对该词的思想性和艺术性的主流评价不尽相同的结论。先著录原词:晴岚低楚甸,暖迴雁翼,阵势起平沙。骤惊春在眼,借问何时,委曲到山家。涂香晕色,盛粉饰、争作妍华。千万 Professor Ye Jiaying pointed out in his interpretation of Zhou Bangyan’s “Crossing the Clouds, Qinglan Low Chudian,” that this poem contains the author’s sigh on the rise of the officialdom, to which I strongly agree. Based on the research of Professor Ye, this article attempts to use the new critical analysis method to further explore how the author transforms the thoughts and feelings into artistic images through textual reading. If Professor Ye is focusing on answering the question of “writing what”, then I would rather emphasize the question of “how to write”. Moreover, in the process, we will draw some conclusions that are different from those of the mainstream ideological and artistic evaluation of the word. First recorded the original words: clear Lan low Chudian, warm back geese wings, the formation of flat sand. Shock spring eyes, ask when, commissioned to the mountain home. Coated with faint color, flourishing decoration, for Yanhua. Thousands