也许,鹿兆鹏与黑娃娃的分离才是影片真正的结尾,它展示出了中国革命的现实性与暧昧性。由此,宗法社会瓦解了,鹿山上吊了,田晓娥被镇压了,黑娃上山了,鹿兆鹏失踪了......这是一个历史虚无式的结尾,一个《活着》式的结尾,一个依然处于中国传统农业社会世界观下的结尾。《白鹿原》的镜头世界,时空在1911年开启,在此之前,是时空静止的封建宗法农业社会,由此外乡女人带来的搅动,就不属于这封闭空间的日常,而必须“缝合”到1911年之后革命带来的平衡打破后的混乱中去。由此 Perhaps, the separation between Lu Zhaopeng and the black doll is the real end of the film, which shows the reality and ambiguity of the Chinese revolution. As a result, the patriarchal society collapsed, and Lhashan was hung up. Tian Xiaoe was suppressed. The black doll went uphill. Deer Zhaopeng disappeared ... This is the end of history and the ending of a “living” One is still at the end of China’s traditional agricultural society under the world outlook. Prior to this, the time and space of the “White Deer Plain” opened in 1911. Before that, it was a feudal and patriarchal agricultural society with time and space. The agitation caused by the foreign women did not fall into the daily routine of this closed space. Instead, it was necessary to “stitch” "To the chaos after the balance brought by the revolution after 1911 broke down. thus