十多年前,我应甘肃《读者》杂志邀请,去那里出席一个有关那本杂志的研讨会,期间抽空在兰州城里随便走走,领略一下那的风光人情,和陪同的当地的美术界名士们散坐在黄河边,慢慢的呷着“三泡台”,无边无际的聊天。有一位长得灵气十足的年轻人,和我特别有缘,他就是现在已落户上海的门青。不过,真正引起我关注的是看了他的作品之后。我发现这个年轻人虽然生活在闭塞的西北内地,但无论是作画的方式,作画的视角,还是通过画面所表 More than a decade ago, at the invitation of Gansu readership, I went there for a seminar on the magazine, taking the time to walk around the city of Lanzhou to see the scenery and the local art community. Scientists scattered sitting in the Yellow River, slowly pounding “three bubble sets,” immense chat. There is a very rejuvenating young man, and I have a special affinity, he is now settled in Shanghai. However, what really caught my attention was after reading his work. I found that although this young man lived in the occlusive northwestern hinterland, no matter from the perspective of painting or drawing,