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程然的个展“最后一代”将麦勒画廊的所有面积都动员了起来,空间被卷入到某种艺术家强有力的“私有化”进程中。“进程”让我们置身于艺术家通过诸多细节与线索所营造出的观展经验中,且异常舒适,因为那些改造的意象都带着明确的优雅与浪漫质地,拒绝与“观念”的过分呼应,以及与其他“不在场者”间的神秘关联。由此“私有化”与展
Cheng Ran’s Solo Exhibition “The Last Generation” mobilized all areas of the Meyer Gallery and the space was drawn into the strong “privatization” of some artists. “Process ” allows us to be exposed to the experience of the artist created by many details and clues, as well as exceptionally comfortable, because those images of transformation with a clear elegance and romantic texture, Overexposure, and the mystery associated with other “absent” people. From this “privatization ” and exhibition