十多年前,碟市刚刚兴起,文艺青年、骨灰级影迷一路猛追欧洲电影大师,各类电影书也一时纸责,塔可夫斯基的《雕刻时刻》也曾应时出版,因为封面太丑(谁叫咱是封面控)、排版纸张都不理想,而且是转译,所以没买,只是简单翻了翻。今年的新版在俄文原书直译的基础上,对版式、封面都做了调整,这次,没有理由再不买了。这本书里,与其说是塔可夫斯基在讲自己的电影观,自己怎么拍电影,倒不如说是在教大家怎么看电影,用声音、画面、光影的方法论去欣赏大银幕上流淌的诗意,尤其是在今天劣质娱乐为王、造假票房称霸的国内电影市场,读过这本书的人,应该不会狭隘地 More than a decade ago, the market for disk was just beginning to emerge. Literary and art youths and elite fans fiercely chased after European film masters. All kinds of movie books took a second responsibility. Tarkovsky’s “engraving moment” Ugly (who called we cover control), typesetting paper is not ideal, but also translation, so did not buy, just a simple rollover. This year’s new version of the original book in Russian literal translation based on the layout, the cover has been adjusted, this time, there is no reason not to buy. This book, not so much Tarkovsky’s own movie theory, how to make their own movies, might as well teach you how to watch movies, with sound, picture, light and shadow methodology to enjoy the big screen flowing Poetic, especially in the domestic movie market where inferior entertainment is king and fake box office dominate today. Those who read this book should not narrowly