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中国电影由“主旋律”电影、“商业电影”和“艺术电影”三分天下已是一个约定俗成并被普遍接受的现象。这种分类方法以电影的社会功能来作区分,造成了电影思想性、娱乐性、艺术性的对立,严重束缚了我国电影的健康发展。伴随着主旋律电影的探索,出现了将主旋律概念泛化的趋势,大有以主旋律的概念代替主流电影概念之势。这种主旋律的泛化实际上还是在强调电影在政治、商业与艺术上的三元对立,不利于电影的多元化发展。
Chinese film is a convention and generally accepted phenomenon from the “main theme” movie, the “commercial movie” and the “art movie”. This classification method uses the social function of the movie to make a distinction, which has caused the film’s ideological, entertaining and artistic opposition, which severely constrains the healthy development of Chinese film. Along with the exploration of the theme melody, there has been a generalization of the concept of the main theme of the trend, and the concept of the main theme has largely replaced the concept of the mainstream movie. The generalization of this theme is actually emphasizing the ternary opposition of politics, commerce and art, which is not conducive to the diversified development of the film.