王尔德在其童话故事《快乐王子》中塑造了两个至美的人物形象,故事以收获不朽而美丽的铅心和小燕子被安放天堂收尾,充分展示了人性善良的光辉,包含了王尔德“为艺术而艺术”的创作主张,但是故事的结局再次落到了道德的层面上。本文通过探寻王尔德艺术自律的审美语境,着重从人物塑造、结局的角度分析其与唯美主义的联系,证明童话故事的结局与王尔德本身主张的艺术自律性相违背。一、王尔德的审美语境奥斯卡·王尔德的名字几乎可以称为19世纪后 Wilde in his fairy tale “Happy Prince” created two beautiful figures, the story of the immortal and beautiful lead and the small swallows were placed Paradise ending, fully demonstrated the goodness of humanity, including Wilde “ Art and Art ”, but the ending of the story once again fell to the moral level. By exploring the aesthetic context of Wilde ’s art self - discipline, this article focuses on analyzing its connection with Aestheticism from the angle of characterization and ending, and proves that the ending of the fairy tale runs counter to the self - discipline of Wilde’ s art. First, Oscar Wilde’s aesthetic context Oscar Wilde’s name can be almost called the 19th century