本人多年来致力于视觉语言和设计观念的探讨及跨界研究,并努力探索全球化背景下中西设计观念间的差异及中国元素与西方艺术的冲突与融合问题。在此过程中,我逐渐认识到视觉语言是一种特殊的语言形式,它能跨越地域限制、突破语言障碍、消弭文化差异。“视觉语言”一词早在包豪斯年代便已经开始在美术界与设计界被广泛接受、使用。G·凯佩斯的《视觉语言》一书中指出:“视觉语言统一了人类及人类的智 Over the years, I have devoted myself to the study of visual language and design concepts and cross-border research. I have also tried hard to explore the differences between Chinese and Western design concepts and the conflicts and integration between Chinese elements and Western art in the context of globalization. In this process, I came to realize that visual language is a special form of language that transcends geographical constraints, breaks through language barriers and eliminates cultural differences. The term ”visual language " has already been widely accepted and used by art and design circles as early as the Bauhaus era. According to G. Kempeth’s Visual Language, visual languages ​​unify human and human wisdom