“气韵”是中国古典美学中颇具民族特色的范畴,指的是审美对象内在的生命力所显现出来的外在的具有情调与韵律的形态。以“气韵”论艺,始于南齐画家、评论家谢赫,在《古画品录》的论画六法中,把生动反映物象精神状态和个性特征,使作品有强大的生命力的“气韵生动”列为首位,千百年来,无论是陶瓷绘画、中国画、书法、诗词都把它视作创 “Qi Yun ” is a category of Chinese national aesthetics which is quite characteristic of the nationality, which refers to the external style of mood and rhythm manifested by the intrinsic vitality of the aesthetic object. In “Qi Yun” theory of art, began in South Qi painter, critic Sheikh, in the “ancient painting catalog” six paintings theory, the vivid reflection of mental status and personality characteristics of the object, so that the work has a strong vitality “Vivid and vivid” as the first place, for thousands of years, whether it is ceramic painting, Chinese painting, calligraphy, poetry regarded it as a record