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改编《聊斋志异》为通俗说唱与民间戏剧样式的第一人是蒲松龄。“聊斋戏”已成为客观存在的独立艺术形式并经历了初级、中级、高级、成熟等四个阶段。改编“聊斋戏”的主要方式有三种:尊重原著;重新组合;多篇合并。结合《仇大娘》、《祯姑》不同的改编方法详尽论述,肯定“聊斋戏”对于“聊斋文化”广泛传播所起到的积极作用。
The first person who adapted Strange Stories from a Lover Studio to popular rap and folk drama style was Pu Songling. “Ghost Story” has become an objective independent art form and has experienced four stages: primary, intermediate, advanced and mature. There are three main ways of adapting “Liao Zhai Drama”: Respecting the original works, reassembling, combining multiple articles. Combining with the different adaptation methods of “Qiu Aiang” and “Zhen Gu”, this paper expounds in a comprehensive way and affirms the active role played by “Liao Zhai Studio” in spreading “Liao Zhai Culture” widely.