在今天的中国画坛里,现代重彩画这一年轻的绘画表现形式,在继承中国传统重彩画的基础上,又顺应现代绘画的审美意识,广泛吸收各种艺术因素,拥有了越来越广阔的发展空间。现代重彩画最突出的特点是极重色彩的表达,往往利用材料自身的美感,使画面呈现绚丽斑斓的色彩美。因而注重画面色彩语言的运用在创作中就变得相当重要。但是,如果认为色彩问题纯然是感情问题,绘画时只凭借个人的有限经验和自我感情的驱使去创造色彩语言,必然会导致画面表现语汇的贫乏。因为色彩并不光是个表面感觉,也是个科学的体系,只有学习色彩的科学知识,理解色彩的各种关系并进行系统化的研究才能够加强视觉评价能力和敏锐的直觉感受能力。正如重彩画家胡明哲所说,“如今,色彩与色彩科学已充满视觉艺术的任何领域,我们再不能允许自己的色彩观念停留在原始阶段,再不能让自己对色彩语言的研究存在重大空缺”。所以对于色彩表现的 In today’s Chinese painting society, the modern painting of heavy colors, a young expression of painting, inherits the traditional Chinese painting of heavy color and at the same time complies with the aesthetic awareness of modern painting. It absorbs various artistic factors extensively and has more and more extensive Expansion capacity. The most prominent feature of modern heavy color painting is the expression of extreme color, often using the beauty of the material itself, so that the picture presents a gorgeous gorgeous color. So pay attention to the use of color language screen in the creation becomes very important. However, if the problem of color is considered to be a purely emotional issue, the creation of a color language by painting only with limited personal experience and self-feeling will inevitably lead to a lack of vocabulary in the picture. Because color is not only a superficial feeling, but also a scientific system. Only by learning the scientific knowledge of color, understanding the relationship of color and conducting systematic research can we enhance the ability of visual evaluation and intuitive intuition. As the painter Hu Mingzhe said, “Nowadays, the science of color and color is full of any field of visual art. We can no longer allow our own color concept to stay in its original stage, and we can not allow ourselves to have a major gap in the study of color and language.” So for the color performance