《当代戏剧》1988年三期邓小秋在《“演员中心”与综合治理》一文中说,戏曲很注意形式美。但是,形式美强调过了头,多跨一步,便出现了唯美主义的倾向。“演员中心制”的一个弊病,便是竭尽全力突出主演,而忽视了整体。有时候甚至不顾规定情境,纯粹的卖弄技艺,绝招降为杂技,开打变为武术表演。即使编演新戏,也必须围绕主演说戏。为了突出主演, In “The Contemporary Theater”, Third Stage, 1988, by Deng Xiaoqiu, “The Actor Center and Comprehensive Governance” said that the opera paid great attention to formal beauty. However, the beauty of formality is overstepped and the step of aestheticism emerges. One of the ills of the “actor-centered system” is to make every effort to highlight the starring, while ignoring the whole. Sometimes even ignoring the provisions of the situation, pure show off skills, tricks down acrobatics, open play into martial arts. Even if the filming of new drama, but also must focus on the main story. In order to highlight the starring,