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二十一岁,那是林白曦成年后第一次回国,当看到中国国内的画报上经常出现的赫尔辛基的时候,见到教堂、议会大楼这些从小在照片上熟悉的建筑物的时候,有种与生俱来的亲切。作为一个芬兰人,从他进入芬航的第一天起,就有了一种天然的使命:开拓中国的市场。这个准备一下子就是十五年。而这个十多年里,也是没有一年离得开中国。走进林白曦(Mikko Rautio)在赛特大厦的办公室,一进门就会被两幅占满墙面的“宗祠画”吓一跳,这本应该出现在古代中国祠堂里的挂画与芬兰航空公司的北京办公室形成超现实的强烈对比。林白曦从画下走过,对记者说,“这是我在潘家园淘的,不过被骗了。服装的样式和颜色画法都不对。不过我还是喜欢它,所以就挂在这儿了。”
At the age of twenty-one, when Lin Baixi returned home for the first time as an adult, he saw churches and parliamentary buildings from the time when he was in Helsinki, often seen in domestic pictorials. Inborn kindness. As a Finn, from the very first day he entered Finnish Airlines, there was a natural mission: to open up the Chinese market. This preparation is fifteen years. In the past 10 years or so, China has not been allowed to leave for a single year. Step into the office of the Saite Tower at Mikko Rautio’s office, where you will be taken aback by two “painted walls” of ancestral temples that should have appeared in ancient Chinese ancestral halls with Finland The airline’s Beijing office is in a very surreal contrast. Lin Baixi walked from the painting, told reporters, “This is my pan Amoy Pan, but cheated. Clothing style and color painting are wrong, but I still like it, so hang here. ”