一位面目模糊的长衫隐者一次次走进山水田园风的画框——他从审美观照的暗处踱步而来,以二次元的方式出现在了他本不该出现的地方,侵入了水墨中主体隐匿的异度空间,改变了千百年来静态的意境,在水墨中植入了颇具现代意味的步入式“存在感”。在中国画的审美经验史上,他首次呈现了强烈的主观意图:不是暗示,而是直接占据那个 A glamorous long gown hermit walked into the pastoral scenery of the frame again and again - he pacing from the aesthetic point of view of the dark, in the form of quadratic appeared in places he should not have invaded The heterogeneous space hidden in the main body of ink and wash has changed the static mood for thousands of years and implanted a rather modern “walk-in” feeling in ink and wash. For the first time in the history of the aesthetic experience of Chinese painting, he presented a strong subjective intention: not to imply, but to directly occupy that