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作为一个文学创作人员,向电影艺术学“艺”,大多是从电影以外看电影,这当然也可以算得上认识事物的一个角度,但总觉得不够真切,有点隔膜。去年以来,因为种种原因,有机会从电影以内看电影了;这么从里边一看,才开始意识到问题的严重:原来生活和银幕向电影文学、电影艺术呼唤得竟是那么急,要求得竟是那么高。过去总以为只要爱电影就成,“我看银幕多妩媚”,就料想也许能够凑合着让银幕看得上眼;其实满不是那么回事。于是,就被逼着沉下心想一想了。正在思索的时候,得到了这样一个学习的机会,看了1983年的部分影片,虽然看得还不全,但感受却是强烈的。我觉得这是一大批好影片,好就好在它们认真回
As a literary creator, learning “art” from the art of cinema, mostly from a movie outside the movie, of course, can be regarded as a point of understanding of things, but always feel not real enough, a bit diaphragmatic. Since last year, due to various reasons, have the opportunity to watch movies from within the film; so from the inside only began to realize the seriousness of the problem: the original life and the screen to the movie literature, film art call was so urgent, demanded actually Is so high The past always thought that as long as the love of the movie, “I see the screen more charming,” I expected to be able to make do with the screen to make eye contact; in fact, is not the case. So, was forced to sink and think about it. While thinking, I got such a chance to learn. I saw some of the films of 1983, though they are not completely understood, but the feeling is very strong. I think this is a large number of good films, as good as they are seriously back