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“神话重述”系列作品在创作和批评界反响颇大。如何把古代神话资源、本土文化和现代人文理念相互糅合、推陈出新,是这类创作必须面对的问题。以《碧奴》为个案,可以审视“神话重述”作品的内涵特征及隐喻色彩。在21世纪开端,我们重新回望先民时代的精神寓言和民族神话,可以在传统与现代之间架起文化传承和扬弃的桥梁。
“Myths restatement ” series of works in the creation and critics have a lot of repercussions. How to integrate the ancient mythological resources, local culture and modern humanities concepts and bring forth new ideas is a problem that such creation must face. Taking “Bi Nu” as a case, we can examine the connotation and metaphorical features of “Myths Restatement” works. In the beginning of the 21st century, when we look back on the spiritual myths and national myths of the ancestors era, we can bridge the gap between tradition and modernity in terms of cultural inheritance and abandonment.