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所以在“报告”上加引号,一是今年3月花山崖画考察实在是有收获,二是这些收获恰恰在1987年广西民族出版社《广西左江流域崖壁画考察与研究》一书中找到共鸣,因此许多文字就直接摘引,并非原创。当然,摘引的重点是从宗教舞仪入手,分析其舞蹈动机、舞蹈情境、舞蹈姿势,以期寻找出早期舞仪的身体元语言构成和集体性身体复述的特点,包括红色颜料的使用,说明舞蹈是功能、观念和审美的统一体。
Therefore, quotation marks should be quoted on the “Report” first. In March this year, the study of Hua Shan Ya painting is really rewarding. The second is that these rewards were exactly in the book “Investigation and Research on the Cliff Mural Painting of the Zuojiang River Valley in Guangxi in 1987” by Guangxi Zhuang Autonomous Publishing House Find the resonance, so many words directly cited, not original. Of course, the key point of the drawing is to start with the religious dance instrument, analyze its motivation, the dance situation and the dance posture, in order to find out the features of body metaphysical composition and collective physical repetition of the early dance instrument, including the use of red pigment, Is the unity of function, concept and aesthetic.