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桑塔格在《床上的艾丽丝》中书写了女人的悲哀与愤怒。社会给女人派定的角色,不容她们彰显自我。剧中主人公艾丽丝无法忘掉过去,又无法面对现实,便把自己囚禁在病床上。她的孤独与寂寞是整个社会女性的普遍感受,她的孤独命运是天才女性共同的命运。本文尝试用福柯的规训权力理论,分析小说女主人公艾丽丝在规训社会全景敞视机制运作下的思想、行为方式,揭示小说中女主人公所处的社会方实质上是一个规训社会,在这个规训社会里,无所不在的权力控制并改造人们,以使其“驯顺”。但是规训权力也会遭到规训对象的反抗,此时,维护社会安定行使惩罚权成为必然。艾丽丝最后的悲惨结局正印证了全景监视机制式的社会中任何犯罪都没有逃脱的可能。
Sontag wrote a woman’s sorrow and anger in Alice in Bed. The role assigned to women by society does not allow them to express themselves. Alice in the play can not forget the past, they can not face the reality, they put their imprisonment in bed. Her loneliness and loneliness are the common feelings of women in society as a whole. Her loneliness and destiny are the common destiny of gifted women. This paper attempts to use Foucault’s Theory of Discipline Power to analyze the thought and behavior of the heroine Alice in the regulation of the society as a whole, and to reveal that the social party where the heroine is located is essentially a society of discipline, In this disciplined society, the ubiquitous authority controls and remoulds people to “tame” them. However, the power of discipline will also be subject to the object of discipline. At this time, it is inevitable to maintain the social stability and exercise the punishment. Alice’s final tragic ending is proof of the possibility that no crime in a panoramic surveillance-style society would have escaped.