有着三十年话剧表演生涯的长春话剧院演员王德顺同志,在长期的舞台实践中,摸索出一套以动作和形体造型为手段的表演方法。他还在长春的聋哑学校中组织了“聋人哑剧训练班”,进行了一年的哑剧教学,积累了许多经验。去年4月,作为参加布莱希特讨论会的代表,他被邀请到了北京。会上他即兴表演了哑剧节目《人与蛇》,受到了与会者的好评。王德顺回到吉林后,与爱人赵爱娟合作,又对自己的哑剧节目进行了修改加工。9月份他带了一组“造型哑剧”节目又来到北京,接连在京演出三十多场,得到观众的欢迎。今年1月5日,本刊为王德顺的这台“造型哑剧”举办了推荐演出,并于6日召开了座谈会。 Comrade Wang Deshun, a performer of thirty years of drama performance, has worked out long-term stage practice to find out a performance method that uses movements and body shapes as a means. He also organized “deaf mute training class” in Changchun deaf school, conducted a year of mum teaching and gained a lot of experience. In April last year, he was invited to Beijing as a delegate to Brecht’s seminar. At the meeting, he performed improvisational mime drama “Man and the Snake,” and was well received by the participants. After Wang Deshun returned to Jilin, he collaborated with his wife Zhao Aijuan and revised and edited his mute drama program. In September he took a group of “modeling mime” programs and went to Beijing, performing in succession in Beijing for more than thirty games, receiving the audience’s welcome. January 5 this year, this magazine for Wang Deshun’s “modeling mime” held a recommended performance, and on the 6th held a forum.