清代碑学兴盛,篆隶名家辈出。流风所致,习隶书者无不以汉碑为归依。如黄易、金农、桂馥、钱泳等,他们写的隶字都从汉碑出。只是由于识见与学养的差异,各家的书法表现出各人独特的神韵、风格。武慕姚先生的书法继承了清代碑学的传统,而又把这个传统推向了新的高度,这就是世人无不推崇他的隶书的原因。他早年从《汉熹平石经》入手,而后遍临诸汉碑,兼有清各家之长,形成独特的风格。他那挺拔刚劲的线条、错落玲珑的结体和崭新的时代气息,确实不比上述名家逊色, The prosperity of the Ming Dynasty, Zhuanli masters come forth in large numbers. Due to the breeze, Xi official book are all based on the Han monument. Such as Huang Yi, Jinnong, Gui Fu, Qian Yong, etc., they write the words are from the Chinese monument. Only because of differences between knowledge and learning, each calligraphy shows the unique charm, style. Mr. Wu Muyao’s calligraphy inherited the tradition of the Qing Dynasty’s stone-carving tradition and pushed this tradition to a new height. This is why all of the world’s most respected scriptures are respected. He started with “Han Xi Ping Shi Jing” in his early years, and then came all over the Han Dynasty monuments, both of the Qing Dynasty, forming a unique style. His upright and vigorous lines, patchwork and new era flavor, really not inferior to the famous,