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本文所论的香港两代南来作家特指1949年前后从大陆南下的唐人、刘以鬯等老一代作家与70年代左右自大陆来港的陶然、东瑞、白洛等新一代作家。他们的创作构成了香港文学实绩的重要部分。相对于香港本土作家而言,南来作家有其共性;因为文化背景的差异,两代南来作家又自有其内在差异。如果说唐人的香港叙事主要是一种以红色大陆为背景的政治批判,那么经历了文革的第二代南来作家的香港叙事则主要是一种文化批判。价值取向的差异,同时在更深层上制约了他们小说创作的叙事形态。
The writers of the two generations of South Koreans in this article refer to the new generation of writers such as the Tang Dynasty, Liu Yijun and other old generation writers who came down from mainland China around 1949 and Tao Ran, Dong Rui and Bailuo who came to Hong Kong from Mainland China in the 1970s. Their writing constitutes an important part of the performance of Hong Kong literature. Compared with local writers in Hong Kong, the South writers have their own common features. Because of the differences in cultural backgrounds, the South writers of the two generations have their own internal differences. If the Chinese narrative in the Tang Dynasty is mainly a political criticism based on the background of the Red Mainland, then the Hong Kong narration that experienced the second generation of writers from the Cultural Revolution is mainly a kind of cultural criticism. The difference of value orientation, at the same time restricting the narrative form of their novels in a deeper level.