中国版画与世界版画之间的状况如同经济等方面的状况一样,仍存在着较大的差距。这主要表现在两方面:一是观念方面,改革开放以后,我们虽然已打破了许许多多的精神枷锁,但观念的改变、文化的进步并非一朝一夕就能实现。因此,盲目的自大是很不切合实际的,对未能理解的新潮艺术乱加批评也是无知的表现。西方现代艺术的主流应该是肯定的,不是颓废的,当代新潮艺术也不是胡闹。它们是这个时代文明的必然结果。说实话,在美国的美术馆中,最令我着迷的是现代和当代艺术部分,最能激励我创造热情和抛弃各种尘念 The situation between Chinese printmaking and world printmaking remains the same as that of the economy. There is still a big gap. This is mainly manifested in two aspects: First, in terms of concept, although we have already broken a lot of spiritual shackles after the reform and opening up, the change of concepts and cultural progress can not be achieved overnight. Therefore, it is very impractical to arrogant blindness. It is also ignorance to criticize the trendy art that can not be understood. The mainstream of Western modern art should be affirmative, not decadent, contemporary trendy art is not nonsense. They are the inevitable result of civilization of this age. To be honest, most of the art galleries in the United States are fascinated by modern and contemporary art, most inspiring me to create enthusiasm and discard all kinds of thoughts