非物质文化遗产包含多样的民族民间艺术类别,但其审美特性与价值未能得到充分的研究,艺术人类学为这一研究创造了条件。作为中国独有的非物质文化遗产,夹缬体现出明确的艺术人类学品格。审美文化传统及其表征是在艺术人类学视阈中民族民间艺术作为非物质文化遗产的实质性内涵。民间审美传统分别呈现为信仰认知、生活行为以及审美事象三个部分,三者之间的联系和互动关系,是理解民族民间艺术的审美意义及其模式的关键。 Intangible cultural heritage contains a variety of folk art categories, but its aesthetic characteristics and values ​​have not been fully studied, and art anthropology has created the conditions for this research. As a unique intangible cultural heritage in China, Clairvoyant shows a definite character of art anthropology. The aesthetic cultural tradition and its representation are the substantive connotations of national folk art as the intangible cultural heritage in the perspective of artistic anthropology. The folk aesthetic traditions are respectively presented in three parts: belief cognition, living behavior and aesthetic affair. The relationship and interaction between the three are the key to understand the aesthetic meaning and mode of national folk art.