胡忌先生曾经在其长篇论文中对昆曲的发展,指出一条“绝路”——回归雅部,这条绝路似死而生,让读者在探索这一传统艺术的生存之道时,无疑多了一条绝处逢生的思路。这条路在作者的眼光来看,虽然还主要局限在昆曲历史的发展经验与文化品格,可是,属于昆曲自身的艺术规律已经清晰可 In his long essay, Mr. HU Kai pointed out a “path of no return” to the development of Kunqu Opera. When he returned to Ya, this jirom died like a living, so readers no doubt had more to explore when it came to the survival of this traditional art A surpassing idea of ​​survival. This road from the author’s point of view, although also mainly confined to Kunqu history development experience and cultural character, but belongs to Kunqu’s own art rules have been clear