著名画家方增先先生在其参与的全国美展国画展区作品的评选后感慨陈词,认为中国画创作的方向以及对传统的认知似乎出了问题,意笔越来越少,入选的500多件作品,写意作品只看到四五张,整个展览,一笔笔画出来的基本上没有。此外,许多工笔画不是工笔意义上的工笔,不是笔法、墨法的结合,是描、是磨,是靠时间磨蹭出来的。现在的工笔虽然外形漂亮,但没有内涵,审美浅薄。看到全国美展这样的情况,觉得全身发凉。 Mr. Fang Zengxian, the famous painter, expressed his judgment after his selection of works of the national art exhibition in the National Art Exhibition. He thought that the direction of Chinese painting and the cognition of the tradition appeared to be problematic with fewer and fewer meanings. More than 500 selected works, Freehand writings only see 45, the whole exhibition, a stroke basically out. In addition, many works of art is not a sense of style in the meaning of the pen, not a stroke, the combination of Mohism, is the description, is the mill, is time rubbed out. Although the appearance of fine brushwork now, but no meaning, aesthetic shallow. To see such a situation in the National Art Exhibition, I feel cold throughout the body.