论文部分内容阅读
在西方“后”学理论话语和多元冲突的文化语境的催生下,新世纪革命历史题材影视剧在内涵阐释上突破了单一的政治学视野,在影像修辞上更加强调视觉奇观与情感认同的表现效果,有效地扩充了对“中国梦”的艺术呈现与审美转换,但也带来叙事逻辑离奇、人物台词雷人等解构神圣、恶搞崇高、戏说历史的不良创编倾向,对此需要认真地加以规范和引导。
Under the circumstance of western “post ” theory and multi-conflict cultural discourse, the revolutionary and historical film and television drama in the new century broke through the single field of political science in the explanation of connotation, emphasizing visual wonders and emotions in image rhetoric The performance of identity has effectively expanded the artistic transformation and aesthetic transformation of the “China Dream”, but has also brought about the tendency of creating narratives such as bizarre narrative logic, derelict lines of characters, etc., This needs to be carefully regulated and guided.