论文部分内容阅读
用材料直接进行雕塑创作,无疑是雕塑创作告别了“对客观进行单一的模拟”的姿态,实现了“艺术创作原点”的回归。在不同的立体造型创作中,作者对造型的图本——图式原本的不同把握,对材料的特性不同侧重,观众所接受的作品图像样式也就不同。从另外角度也可以说,在使用材料直接进行的创作,由于使用者和接受者各所采用的造型特定方式和潜在的文化态度的不同,图式原本与材料原本的表达会呈现不同的态势,于是,材料雕塑在图本与传达上被分成了不同的类别。
The direct use of materials for sculpture creation is undoubtedly a farewell to the sculptural creation of “a single simulation of the objective” gesture, to achieve the “origin of artistic creation” return. In different three-dimensional modeling creation, the author of the modeling drawings - the original schema different grasp, focusing on the different characteristics of the material, the audience accepted works of different image styles. From another point of view, it can also be said that in the direct use of materials for writing, the original expressions of materials and materials may present different states due to the different styling and potential cultural attitudes adopted by users and receivers. , Material sculpture is divided into different categories on the map and communication.