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一幅绘画作品表现的对象,是绘者经过各方面挑选最终确定下来的。一个朝代的绘画风格则是整个社会留下的痕迹。从中我们可以窥探那个朝代的蛛丝马迹,追循着这个时代遗留下的精神文化。推测、猜想着其中隐喻的不为人知的意念。宋徽宗朝院画整体风格写实,作品多为真实物品。其画作中多绘奇石珍品,在徽宗朝此种现象反复出现。是否带有特殊的寓意,带有宋徽宗特有的色彩。其祥瑞物祥瑞景象在绘画作品中是否承载着更多的内容,体现出了宋徽宗的政治意涵。以《听琴图》为例,从绘画形象、绘画风格来分析,作品形象多描绘祥瑞物。来浅谈一下徽宗朝院画中祥瑞形象对体现政治意义。
The object of the performance of a painting is that the painter has been finalized through various choices. A dynasty’s painting style is the trace left by the entire society. From which we can peek at the clues of that dynasty, following the spiritual and cultural legacy of this era. Speculate, guess the metaphor of the unknown idea. Song Huizong Court Painting overall style realistic, mostly works of real goods. In his paintings, he drew many precious stones and treasures, and repeated this phenomenon in the Huizong. Whether with a special moral, with a unique color Huizong. Auspicious Auspicious Auspicious landscape in the painting whether carrying more content, reflects the political meaning of Huizong. To “listen to the piano” as an example, from the image of the painting, painting style to analyze the image of the work more auspicious objects. Talking about the image of auspiciousness and auspiciousness in Huizong court painting reflects the political significance.