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“丑就在美的旁边”“美与恶并存”是对十九世纪法国作家雨果浪漫主义美学原则的集中概括,其“唯美”精神倾向在其代表作品《巴黎圣母院》中得到了淋漓尽致的展现。无论是加西莫多和爱斯梅哈尔达、法比和爱斯梅哈尔达还是克罗德和爱斯梅哈尔达都是对人性本质的阐述,在立项对比间渗透人性的悲哀,在不可抗拒的美感中,《巴黎圣母院》的唯美品质也得到了完整体现。本文针对雨果《巴黎圣母院》中所体现的人性悲哀展开了重点分析。
“Ugly is just next to the United States ” “The coexistence of beauty and evil ” is a concentrated summary of the nineteenth-century French writer Hugo Romanticism, whose “aesthetic” spirit tendencies in his representative work “Notre Dame de Paris ”Has been most vividly demonstrated. Both Gasquita and Esmeralda, Fabio and Esmeralda or Crowd and Esmeralda are both elaborations on the nature of human nature, the sorrow of penetrating human nature in the comparison of contrasted projects, In the irresistible beauty, “Aestheticism of Notre Dame de Paris” has also been fully reflected. This article focuses on Hugo “Notre Dame de Paris” embodied in the human sadness.