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耶利内克的剧作中有相当一部分是独角戏,她有意识地将戏剧意义的生产结构做到最简化,本文主要探讨她独角戏的内在推动机制。人物充满矛盾的动机构成她戏剧发展的推动力,人物的情绪发展和精神变化成为核心动作,精神碰撞和思想论争是戏剧发展的内在逻辑。
A considerable part of Jelinek’s play is a one-man show, and she consciously minimizes the dramatic production structure. This article mainly explores the inner driving mechanism of her one-man show. The characters’ contradictory motives make up the driving force of her dramatic development. Emotional development and spiritual changes of characters become the core actions. The mental collision and ideological debate are the inherent logic of drama development.