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20年代初,托马斯·曼(Thomas Mann)第一次读到布莱希特(Brecht)的作品时,惊呼:“这个魔鬼,真有天才!”布莱希特是才气横溢的诗人、现代杰出的剧作家、举世公认的反法西斯战士。但是大家对他的为人毁誉参半。今年2月10日是他诞辰一百周年纪念,德国又一次大规模悼念他,同时熟知他生平的评论家又一次对这个人的道德品质表示怀疑。根据他们多年的研究,在人与人的关系中,布莱希特是个肆无忌惮的自私者,利用别人的聪明才智充实自己的作品。尤其是他懂得如何诱惑女人,让她们心甘情愿地为他工作。使布莱希特功成名就的杰作中,很大一部分是她们在背后捉刀。
In the early 1920s, when Thomas Mann first read Brecht’s work, he exclaimed: “This devil is really talented!” Brecht was a talented poet, Modern outstanding playwright, the universally recognized anti-fascist warrior. But everyone is mixed with his man. February 10 this year is the centenary of his birthday. Once again, Germany mourns him on a large scale. At the same time, critics familiar with his life question once again the moral character of this man. Based on their many years of research, Brecht was an unscrupulous selfish person in relationships and used his talents to enrich his work. In particular, he knows how to seduce women and make them willing to work for him. A great part of the masterpieces that made Brecht famous are the ghosts behind them.