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本文论述了被誉为世界岩画之父的埃马努埃尔·阿纳蒂岩画研究方法的理论来源、发展脉络及其应用模式;在对阿纳蒂理论进行梳理分析的基础上,以广西花山岩画中“蹲踞式人形”的研究为载体,探讨了阿纳蒂岩画研究的结构语言学方法及其对岩画的分类分期在我国岩画研究中的应用。同时也对阿纳蒂的研究方法在当下的应用进行了再思考。
This paper discusses the theoretical origin, development vein and application mode of Emanuel Annatra rock painting, which is regarded as the father of the world petroglyphs. Based on the analysis of Anatay’s theory, The study of “squat figure” in petroglyphs is used as a carrier to discuss the structural linguistic method of Anati rock paintings and its application to classification and staging of rock paintings in the study of rock paintings in China. At the same time, the research methods of Anati are also rethought.