詹姆斯·乔伊斯谈不上热衷电影,尽管在的里雅斯特(意大利东北部港市)一些朋友的帮助下,他于一九一○年建立了爱尔兰的第一家电影院:沃塔。斑驳迷离的银幕影像,在这位《尤利西斯》的伟大作者的心中,似乎比心仪的文字还差了点。但是,乔伊斯却又要命地喜欢上了电影这门新兴的艺术样式。从《一个青年艺术家的画像》到《尤利西斯》,再到《为芬尼根守灵》,乔伊斯从早期电影中汲取技 James Joyce can not talk about the movie, despite the help of some of his friends in Trieste, the city of northeastern Italy, where he founded Ireland’s first movie theater in 1910: Vota. The mottled screen image, in the heart of this great Ulysses author, seems to be a little less than his favorite words. However, Joyce has desperately liked the movie’s emerging art style. From “Portrait of a Young Artist” to “Ulysses,” to “Finishing Genie,” Joyce draws on early films