OCT仓库感的长形展厅正中,两道弧形展墙隔开了特别为本次展览所创作的两件新作品:一件是模拟人体器官结构及循环系统的《解剖学》,另一件是马的影像与马的功能性附属品并置的《剩余价值》。两件作品在视觉上都呈现出某种怀旧的机械美学,又似乎是两份规整的达达主义提案,被封闭在了一种后工业社会对工业社会的想象之中。站在马匹奔跑着的投影前凝视,可能会听到并不存在的菲林转动的声音,唯一对现实有所提示的是马鞍上仍然吊着的两个写有俱乐部和名字的吊牌。这个区域相对紧凑,也是整个展览的视觉中心,很明显地突出了本次展览与去年在Boers-Li画廊同名个展的区别。系列中其他曾经展出过的作品包括《异端的权力》、《怀疑者》和《革命》等,以等腰三角式的分布形 OCT warehouse sense of the middle of the long exhibition hall, two arc walls separated from the exhibition specifically for the creation of two new works: one is to simulate the structure of human organs and circulatory system, “anatomy”, the other Is the “surplus value” of the juxtaposition of the horse’s image and the functional accessory of the horse. Both works visually present some sort of nostalgic mechanical aesthetics and, again, two seemingly regular Dadaist proposals, are enclosed in a post-industrial society’s imagination of industrial society. Standing in front of the horse’s running projection, you may hear the sound of the non-existent film rotation. The only thing that has to be reminded of reality is that there are two clubs and names tag hanging on the saddle. This relatively compact area, which is also the visual center of the entire exhibition, clearly highlights the difference between this exhibition and the solo exhibition of the same name at the Boers-Li gallery last year. Other works exhibited in the series include “heresy powers,” “skeptics,” and “revolutions.” The isosceles triangle