论文部分内容阅读
中国书法和中国绘画都强调“骨法用笔”的重要性,所用工具均为毛笔。书法讲究均衡和工稳,间架结构的开合、布局同样适用于中国画的法度。谢赫六法中的“气韵生动”同样成为书法创作的金科玉律。用线的质量高下,线条中蕴含的情感力度,关乎书画作品的品味高低;个人对线条的敏感性,也决定了作者艺术道路的宽度。也就是说,书画同源之“源”不是仅停留于表面的表现形式、笔墨运用上的同源性,而是深入到书法与绘画艺术的神髓之中,具有相同的神髓、意境之源。
Both Chinese calligraphy and Chinese painting emphasize the importance of using the brush of the bone method. All the tools used are writing brush. Calligraphy pay attention to balance and stability, the structure of the opening and closing, the same layout applies to the extent of Chinese painting. Sheikh six “” vivid charm "also became the golden rule of calligraphy. With the high quality of the line, the emotional strength of the line, relates to the level of taste of calligraphy and painting works; personal sensitivity to lines, but also determines the width of the artist’s art. In other words, the origin of calligraphy and painting is not only the superficial expression, the homology of ink and calligraphy, but also the essence of calligraphy and painting art, The source of mood.