2007年12月上旬,我应邀赴芬兰图尔库(TURKU)音乐学院讲学,并在该院的大提琴大师班上指导了八位大提琴专业学生。从专业角度来讲,这些欧洲学生在大提琴的音准、发音、揉弦,以及对音乐的理解这四个方面的出色表现,给我留下了深刻的印象——音准(在我所指导的近11个小时的大师班公开课中,我不记得有对其他任何学生提到过音准问题) In early December 2007, I was invited to give a lecture at the TURKU Conservatory of Music in Finland and gave directions to eight cello students at the master cello of the hospital. From a professional point of view, these European students in the cello pitch, pronunciation, rubbing string, as well as the understanding of music in these four aspects of outstanding performance, I was impressed - pitch (in my guidance nearly 11 In the open class of one hour’s master class, I do not remember having questions about any of the other students)