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毛泽东作于1933年夏的《菩萨蛮·大柏地》一词,是革命的现实主义与革命的浪漫主义相结合的经典之作,然而,作者却说它是在“郁闷”的心情下创作出来的。要解释这一似乎矛盾的现象,就不能不从党史出发,还原当时情境并探求作者心绪。毛泽东此时重过大柏地,刚刚经历第二次宁都会议上申诉不成反受申斥,因而心情不免郁闷。但他置身昔日战场,回想当时鏖战大胜,从而拉开了创建中央革命根据地的序幕,不禁触景生情、诗兴奔涌,创作了《菩萨蛮·大柏地》。当然,毛泽东之所以能够如此,与他的党性、马克思主义理论素养、爱国心和人民情,以及长期革命实践的锻打锤炼,是密不可分的。从这个角度讲,毛泽东于“郁闷”之时创作出《菩萨蛮·大柏地》这样的名篇,是十分自然的事情。
The word “Bodhisattva Bodhisattva” made by Mao Zedong in the summer of 1933 is a classic combination of revolutionary realism and revolutionary romanticism. However, the author states that it is in the mood of depression Created by To explain this seemingly contradictory phenomenon, we can not but proceed from the history of the Party, restore the situation and explore the author’s mood. Mao Zedong at this time is too heavy Bo land, just experienced the second session of the Ningde appeal not to be reproved, so the mood can not help but depressed. However, he placed himself in the battlefield of the past and recalled his victory over the fierce battle that opened the prelude to the establishment of a revolutionary base in the Central Plains. Of course, Mao Zedong was inextricably linked with his party spirit, theoretical qualities of Marxism, patriotism and popular feelings, as well as the long-term revolutionary practice. From this perspective, it is quite natural that Mao Tse-tung created such famous articles as “Pusa Manchu and Todaiji” at the time of depression.