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在西班牙建筑师恩瑞克·米拉雷斯的这 个方案中，重新发现这个新古典建筑室内环 境的价值成为概念的出发点。建筑师试图重 新挖掘被日常事务掩盖下的逐渐被人们遗忘 的建筑本身的历史财富。建筑方案最初作为 不同市政厅的聚集物，保留河岸一侧的纪念 性并创造市政厅与建筑背面新广场更加开放 和友好的关系。决定拆除后侧的砖石建筑并 允许新建筑采用居住建筑的品质。这样，新古 典建筑成为组成街道和广场的一种纪念性标 志。当建筑的门打开的时候，它成为城市公共 空间的一部分。建筑平行于旁边的市场，并有 与街道两侧建筑同样的尺度。1930年对建筑 的立面保护是为了定义旁边市场的历史性， 同时向新广场过渡。 建筑的纪念性部分将安置在一层展示， 建筑师保留了旧建筑中主要的墙和房间。新 市政厅部分为新建筑，但它的尺度与中世纪 大厅很相近，屋顶采光创造了一种新的室内 气氛。通过新入口的楼梯，人们可以直接达到 那里。大部分办公室布置在新建筑的一翼，所
In this project by the Spanish architect Enrique Mires, rediscovering the value of the interior environment of this neoclassical building is the starting point of the concept. The architect tries to re-excavate the historical wealth of the gradually forgotten building itself covered by daily affairs. Originally constructed as a conglomeration of different city halls, the architectural scheme preserves the monumental side of the bank and creates a more open and friendly relationship between the city hall and the new square on the back of the building. Decided to remove the brick masonry on the rear side and allow the new building to adopt the quality of residential buildings. In this way neoclassical buildings became a memorial mark of the streets and squares. When a building's door opens, it becomes part of the city's public space. The building is parallel to the market next to it and has the same dimensions as the buildings on both sides of the street. The facade of the building was protected in 1930 in order to define the historic side of the market and to move to the new plaza. The monumental part of the building will be placed on the ground floor, with the architect retaining the main walls and rooms of the old building. New City Hall part of the new building, but its scale and the medieval hall is very similar to the roof lighting to create a new indoor atmosphere. Through the new entrance stairs, people can get there directly. Most offices are laid out on the wing of a new building