魏晋以来,行草书的主要样式是尺牍和手卷,幅式小,字亦小,其艺术功用也以案头赏玩为主。明末大规模集中出现的连绵大草,与此前的小字行草相比,显然在情感表达、创作心态、创作材料、创作目的、创作观念、表现手法、风格追求等方面都颇有不同。由手札转变为巨轴,幅式变长变大,小笔换成了大笔,书写姿势也由坐书变成了站立悬肘挥毫,客观上导致了创作情境及章法构成的巨大变化。乱世出英雄,晚明一批有非凡才华及功力的书家身处充满血腥和矛盾的时代,社会崩溃的预感在他们心中引起了强烈的焦灼、压抑和不安,于是他们选择连绵大草这个前人从未涉及的领域来宣泄愤懑、挥洒血泪,阐释内心生活,实现自我超越。结果 Since the Wei and Jin Dynasties, the main styles of cursive cursive scriptures are cursive and hand-rolled, with a small format and small words. Their artistic functions are also mainly based on desk tours. Compared with the previous gossip, the continuous large grass that appears massively at the end of the Ming Dynasty is obviously different in terms of emotional expression, creative mentality, creative material, creation purpose, creative concept, expression technique and style pursuit. From the hand-made to the giant shaft, louboutin pas cher, louboutin pas cher, louboutin pas cher, louboutin pas cher, louboutin pas cher, louboutin pas cher, louboutin pas cher, louboutin pas cher, louboutin pas cher, louboutin pas cher, louboutin pas cher, louboutin pas cher, small pen replaced by a large pen, writing position also became a stand hanging swing, objectively led to the creation of the situation and the constitution of the great changes. A hero in troubled times, late Ming that a group of extraordinarily talented and skillful bookmakers in bloody and contradictory times, the premonition of social collapse in their hearts aroused intense anxiety, depression and anxiety, so they choose to keep the grass Never involved areas to vent anger, sway, explain inner life, self-transcendence. result